Combining the urban and the rural, Ms Webber uses a number of mediums to explore these “interwoven landscapes”.
“My practice remains fluid and evolving,” she said.
“I continue to discover new landscapes within myself and my surroundings, sustaining passion while allowing my work to expand in scope and material expression.”
The artist, who originally hails from Melbourne, will soon feature in the Regional Art Group Euroa exhibition, presented at a number of galleries in Euroa throughout the Easter period.
With RAGE celebrating creativity and sustainability, Ms Webber’s works fit right into the exhibition.
“My work explores interwoven landscapes — built and natural, personal and environmental. Recycled materials physically embody that intersection,” Ms Webber said.
“Builders’ waste carries the built environment. Jewellery carries intimate histories. Old artworks carry my own past decisions. I’m not illustrating these ideas, I’m constructing with them.
“I consistently turn what might be discarded into something enduring and significant. That act itself is a statement about repair, resilience and re-seeing worth — themes that run through my sculptures and mosaics.”
With recycled materials, she works across abstract and figurative forms in both 2D and 3D.
She creates digital media, resin and has recently focused on mosaic sculpture and community collaboration.
“My practice explores interwoven landscapes — urban and rural, interior and exterior, body and country,” Ms Webber said.
“Working across mosaic, found materials and layered surfaces, I assemble fragments that carry their own histories.
“Jewellery, shard and sediment become both ornament and structure. What is broken is re-formed into terrain.”
Sustainably constructed, her work Veiled Stream explores themes of “salvage and repair”, with the materials used each carrying “a prior life”.
The materials shape a torso, which, Ms Webber says, “suggests both body and landscape”.
“In Veiled Stream, the body becomes landscape,” she said.
“A concealed current moves beneath ordered surfaces, reflecting both personal memory and altered waterways that continue under pressure.
“I am interested in what is carried but not always revealed – resilience, inheritance, interruption and repair.
“The veil in my work is not fabric but surface: a threshold between concealment and endurance, where what lies beneath continues to flow.”
You can find Ms Webber’s artwork at the RAGE exhibition from Thursday, April 2, to Wednesday, April 8.
More information can be found at www.rageeuroa.com.au/important-information